This has been my teacher’s mantra lately and is emphasizing that I get the arm into position early as I get near the third octave of my scales. The arm should be guiding the fingers instead of the fingers finding the arm. We are applying this to the C# minor scales. Does anybody know why we do melodic on the way up and natural on the way down, btw?
The scale is coming into focus now, although I’m still working on scales 30 minutes per session. But I’m glad I’m tackling it instead of avoiding it.
Moving to the Suzuki Piece, Humoresque, I’m trying to use this idea to shift more confidently.